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c. 1445 – May 17, 1510. Italian painter.

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Lucas Cranach the Elder
Crucifixion

ID: 39702

Lucas Cranach the Elder Crucifixion
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Lucas Cranach the Elder Crucifixion


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Lucas Cranach the Elder

b. 1472, Kronach, d. 1553, Weimar. German painter and printmaker. He took his name from the town of his birth. Little is known about his early life or training. In Vienna (c. 1501 ?C 04) he painted some notable portraits and landscapes characteristic of the Danube school. From 1505 to 1550 he was court painter in Wittenberg, where he achieved great success and wealth painting portraits, mythological subjects, and altarpieces for Protestant and Catholic churches. He attracted so many young artists to Wittenberg that the town became an art centre. A friend of Martin Luther, Cranach became known as the chief pictorial propagandist of the Protestant cause in Germany. He produced numerous engravings and more than 100 woodcuts, notably for the first German edition of the New Testament (1522). After his death, his style was perpetuated by his son, Lucas the Younger (1515 C 86).  Related Paintings of Lucas Cranach the Elder :. | The Judgment of Paris | Ritter mit zwei Sohnen | courtesans | The Crucifixion | Portrat der Prinzessin Sibylle von Cleve als Braut |
Related Artists:
Jules Breton
1827-1906 French Jules Breton Locations French painter and writer. After the death of his mother he was brought up in the village of Courrires by his father, grandmother and uncle. The last instilled in him respect for tradition and a commitment to the philosophical ideas of the 18th century. Breton father, as supervisor of the lands of the Duc de Duras, encouraged him to develop a deep knowledge of and affection for his native region and its heritage, which remained central to his art.
Walter Shirlaw
Scottish-American artist , 1838-1909 was a Scottish-American artist. Shirlaw was born in Paisley, Scotland, and moved to the United States with his parents in 1840. He worked as a bank-note engraver, and his work was first exhibited at the National Academy in 1861. He was elected an academician of the Chicago Academy of Design in 1868. Among his pupils there was Frederick Stuart Church. From 1870 to 1877 he studied in Munich, under George Raab, Richard Wagner, Arthur George von Ramberg, and Wilhelm Lindenschmidt. His first work of importance was the Toning of the Bell (1874), which was followed by Sheep-shearing in the Bavarian Highlands (1876). The latter, which is probably the best of his works, received honorable mention at the Paris exposition in 1878. Other notable works from his easel are Good Morning (1878), in the Buffalo Academy; Indian Girl and Very Old (1880); Gossip (1884); and Jealousy (1886), owned by the Academy of Design, New York. His largest work is the frieze for the dining-room in the house of Darius O. Mills in New York. Shirlaw has also earned an excellent reputation as an illustrator. He was one of the founders of the Society of American Artists, and was its first president. On his return from Europe he took charge of the Art Students League of New York, and for several years taught in the composition class.
Eleanor e.manly
fl.1875-1898






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